These are the merino pieces we make for winter: fibres of 80 to 100 millimetres and 17 to 19.5 microns, finished at 120 grams and woven in a 250-year-old heritage mill.
Merino is the layer that stays on. Its natural crimp holds air against the skin and its surface moves moisture awa. . .
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These are the merino pieces we make for winter: fibres of 80 to 100 millimetres and 17 to 19.5 microns, finished at 120 grams and woven in a 250-year-old heritage mill.
Merino is the layer that stays on. Its natural crimp holds air against the skin and its surface moves moisture away rather than keeping it there, so a scarf worn out into the cold does not become uncomfortable the moment you reach a heated office. At 120 grams there is nothing to unwind and carry.
Long staple is what keeps the cloth even. An 80 to 100 millimetre fibre holds the yarn smooth through daily winter use, so the scarf sits close at the neck without weight and stays that way at the fold, where it is worn hardest.
The colours are chosen for the season. Navy, charcoal, black and dark green hold their depth under low winter light and sit beneath tailoring without asking for attention. Light grey, camel and coffee are the quieter neutrals. Burgundy, orange and sky blue are the ones that lift a dark overcoat on a grey morning.
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